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Private Lessons – 1:1 In presence & online course

4 Lectures

10 Modules

66 Lessons

40 Topics

10 Solos

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Playlist: Applied Harmony

Course Details

Major Harmony
The Major Scale, Intervals, Diatonic Triads, Scale Sequences, Patterns Application, Seventh Chords, Taking advantage of common notes between triads, Arpeggios Exercises, Licks from the Masters, Modes and How to, Licks & Variations, Alternating diatonic triads with Secondary Dominants, Diatonic Key Centres, Tonicization, Retrofitting II V, Temporary Diatonic Key Centre, Voice Leading, IV minor, Tritone Substitute, Turnarounds, Solos.

Diminished Harmony
What is a Dominant Diminished scale, Diminished Scale over Dominant Chords, Diminished Scale Sequences, Diminished & Dominant Chords relation, Passing Diminished Chords, Diminished Scale on Diminished Chord, Target Tones/Chromatic approaches, Licks from the Masters, Triads in the Diminished Scale, Diminished Substitutions, Whole Tone Scale, Augmented Scale, Major Blues Studies, Solos.

Melodic Minor Harmony
Modes of the Melodic, Minor Melodic Scale on Chord I, Scale Sequences, Target Tones/Enclosures, Melodic Scale on Half Diminished Chords, Lydian b7 Scale, Melodic Pentatonic b3 & b6, Licks from the Masters, Melodic Scale on Dominants, Super Locrian Scale “The Altered Scale”, Modal Interchange, Modulation, Slash Chords, Minor Blues Studies, Solos.

Pentatonics
Advanced Pentatonics, Quartal Playing, Chord Subs, Modal Playing, Licks from the Masters, Solo.

Major Harmony 

Module 1 
Lesson 1: The Major Scale
Lesson 2: Intervals
Lesson 3: Diatonic Triads
Lesson 4: Scale Sequences (1-4)
Lesson 5: Patterns Application
Lesson 6: Diatonic Key Centres
Lesson 7: Tonicisation
Lesson 8: Joe Henderson Solo 

Module 2 
Lesson 1: Seventh Chords
Lesson 2: Licks & Variations
Lesson 3: Retrofitting II V
Lesson 4: Arpeggios Exercises
Lesson 5: Scale Sequences (5-8)
Lesson 6: Licks from the Masters
Lesson 7: Temporary Diatonic Key Centre
Lesson 8: Miles Davis Solo

Module 3 
Lesson 1: Modes and How to
Lesson 2: Voice Leading
Lesson 3: Secondary Dominants
Lesson 4: IV minor
Lesson 5: Tritone Substitute 
Lesson 6: Scale Sequences (9-12)
Lesson 7: Turnarounds 
Lesson 8: Herbie Hancock Solo  

Diminished Harmony 

Module 4 
Lesson 1: What is a Dominant Diminished scale?
Lesson 2: Diminished Scale over Dominant Chords 
Lesson 3: Diminished & Dominant Chords relation
Lesson 4: Passing Diminished Chords 
Lesson 5: Diminished Scale Sequences (1-4)
Lesson 6: J J Johnson Solo  

Module 5 
Lesson 1: Diminished Scale on Diminished Chord
Lesson 2: Diminished Scale Sequences (5 – 8)
Lesson 3: Target Tones – Chromatic approaches
Lesson 4: Whole Tone Scale
Lesson 5: Licks from the Masters
Lesson 6: Herbie Hancock Solo  

Module 6 
Lesson 1: Triads in the Diminished Scale
Lesson 2: Diminished Scale Sequences (9 – 12)
Lesson 3: Diminished Substitutions
Lesson 4: Major Blues Studies
Lesson 5: Augmented Scale
Lesson 6: Charlie Parker Solo  

Melodic Minor Harmony

Module 7 
Lesson 1: Modes of the Melodic
Lesson 2: Melodic Minor Scale on Chord I
Lesson 3: Scale Sequences (1-4)
Lesson 4: Target Tones – Enclosures
Lesson 5: Modal Interchange
Lesson 6: Sonny Rollins Solo 

Module 8 
Lesson 1: Melodic Scale on Half Diminished Chords
Lesson 2: Melodic Pentatonic b3 & b6
Lesson 3: Scale Sequences (5-8)
Lesson 4: Licks from the Masters
Lesson 5: Modulation
Lesson 6: Hank Mobley Solo 

Module 9 
Lesson 1: Melodic Scale on Dominants
Lesson 2: Super Locrian Scale “The Altered Scale”
Lesson 3: Scale Sequences (9-12)
Lesson 4: Minor Blues Studies
Lesson 5: Slash Chords
Lesson 6: Miles Davis Solo

Pentatonics

Module 10 
Lesson 1: Pentatonics
Lesson 2: Quartal Playing
Lesson 3: Chord Subs
Lesson 4: Licks from the Masters
Lesson 5: Modal Playing
Lesson 6: McCoy Tyner Solo